Trainspotting (1996)
Oasis - Don't Look Back In Anger
Não tenho ninguém em quem confiar. A minha família não entende nada. Não posso incomodar os amigos com estas coisas. Não tenho realmente verdadeiros amigos íntimos, e mesmo aqueles a quem posso dar esse nome no sentido em que geralmente se emprega essa palavra, não são íntimos no sentido em que eu entendo a intimidade. Sou tímido, e tenho repugnância em dar a conhecer as minhas angústias.
Fernando Pessoa
Lost in Translation (2003)
Lost in Translation (2003)
Medianeras (2011), Gustavo Taretto
Salvador Dali
National Geographic, July 1977
National Geographic, July 1977
Boastings of male superiority, agile dancers in a prenuptial rite portray the sun and moon. Just as the celestial bodies loom above all, so do men see themselves as dominating Gimi life. Light radiated symbolically by gestures and body decorations represent mens’ knowledge of the world, for they often travel beyond the village while woman remain at home. A bark mask worn by the sun highlights the eyes, centre of awareness; a castoff rubber glove draws attention to a moonbeam hand.
National Geographic, March 1977
National Geographic, March 1977
National Geographic, May 1978
National Geographic, April 1972
National Geographic, January 1981
children in Soviet Russia exposing their bodies to a uv lamp
to make up for the lack of sun they were getting.
“Poltava, Ukraine. Tanya, 29, a sex-worker and drug user who has HIV. She has an 11 year old son and lives with 5 other sex-workers in a small apartment in a poor neighbourhood. She used to weight 100 KG but has wasted away to nothing. She has severe septicemia on her legs and a rampant addiction. Tanya tells that sometimes in the past wealthy men would seek her out for sex as part of a bizarre ‘Russian roulette with AIDS scenario, where they would have unprotected sex and dice with the odds of contracting HIV. Tanya died one month after this photograph was taken.”
Two Dutch girls use chalk to write slogans and messages for friends and relatives in other towns on a tank after the liberation of Breda by the Allied Polish 1st Armoured Division. Many civilians in occupied countries would write messages on the tanks of their liberators, knowing that these tanks would soon move on to the next town, hoping their friends or relatives would see the messages. On the tank you can see names, addresses and “Alles goed" ("All is good" in Dutch). Breda, North Brabant, the Netherlands. November 1944.
Subscrever:
Mensagens (Atom)